Theatre of Reenactment.The Relation between Theatre and History in Theatrical Historicism and Contemporary Artistic Practice of Re-enactment

重演戏剧.戏剧历史主义中戏剧与历史的关系及当代重演艺术实践

• 批准号: 234966865
• 负责人: Professor Dr. Günther Heeg
• 金额: --
• 依托单位: Centre of Competence for Theatre (CCT)
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2013
• 资助国家: 德国
• 起止时间: 2012-12-31 至 2017-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/234966865?language=en
• 关键词: Theatre; Reenactment.The; Relation; between; History

The research project explores theatrical historicism and contemporary artistic practice of re-enactment for the first time within the conjunctive frame of the theory of reenactment. It sheds new light on the relation between theatre and history exploring their double entanglement in modern times since 1800: in the shape of historicism in nineteenth century and in the metaphor of the spectacle of history, which is crucial to understanding history in the thought of important philosophers at the same time. Following these considerations the project conceptualizes the idea of history as theatre of reenactment referring to Deleuze and will test and develop it by analyzing two exemplaric theatrical modes to engage with history: theatrical historicism and re-enactments. Focusing on the scenes of Berlin, Paris and Meiningen in nineteenth century the project will elaborate different theatrical designs of the construction of community. Focusing on contemporary artistic re-enactments the project will analyze the different ways of collective reenacting of historical events from the history of dictatorship and liberation of (eastern) europe. The guiding principle is to reconstruct the collective historical images and conceptions being treated in both theatrical practices and to confront them with effects of insubstantiality, the return of the repressed and of theatricality likewise being present there. The method of investigation is to analyze the interplay of media and differences between image, costume, dramaturgy and physical movement. Theatrical historicism and the artistic practice of re-enactment are usually regarded as antipodes. In relating both theatrical practices for the first time systematically the project avoids falling into the trap of binary and expects a double gain: A re/discovery of theatrical historicism as a potentially ambiguous cultural practice open for future and the restatement of the theory of re-enactment, pulling off the slags of metaphysical presence and understanding re-enacting as gestural practice of Nach-Leben/survival and continued theatricalization i.e the transgression of stipulated historical discourses and images.

该研究项目在重演理论的结合框架内首次探讨了重新制定的戏剧历史主义和当代艺术实践。它为剧院与历史之间的关系提供了新的启示哲学家同时。按照这些考虑，该项目将历史的概念概念化为重演剧院，指的是德勒兹，并通过分析两种典型的戏剧模式来对其进行测试和开发，以参与历史：戏剧历史主义和重新制定。十九世纪，重点关注柏林，巴黎和梅宁根的场景，该项目将详细阐述社区建设的不同戏剧设计。重点关注当代艺术重新制定该项目将分析从独裁统治和解放（东方）欧洲的历史上重新制定历史事件的不同方式。指导原则是重建在戏剧实践中被处理的集体历史图像和概念，并与他们面对不可思议的影响，被压抑和戏剧性的归来，同样存在。研究方法是分析媒体的相互作用以及图像，服装，戏剧性和身体运动之间的差异。戏剧历史主义和重新制定的艺术实践通常被视为反植物。在首次系统地将两种戏剧实践联系起来时，该项目避免陷入二元陷阱并期望双重收益：重新/发现戏剧历史主义是一种潜在的歧义文化实践，以期为未来和重新确定重新定论。颁布，从形而上学存在的矿渣中脱离，并理解重新制定为Nach-Leben/生存的手势实践，并继续进行戏剧化，即规定的历史论述和图像的过犯。