Cinema and Ideologies of Subjectivity in Post-war Japan (1945-1973)

战后日本的电影与主体性意识形态（1945-1973）

• 批准号: EP/Z000815/1
• 负责人: Christopher Perkins
• 金额: $ 26.26万
• 依托单位: University of Edinburgh
• 依托单位国家: 英国
• 项目类别: Fellowship
• 财政年份: 2024
• 资助国家: 英国
• 起止时间: 2024 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=EP%2FZ000815%2F1
• 关键词: Cinema; Ideologies; Subjectivity; Post; war

Regarding democratic processes, the academic world usually pays attention to Western-considered models and tends to ignore the value of other socio-cultural realities such as the Japanese. CINETIVITY aims to promote scholars' interest in and knowledge of the democratic process of post-war Japan as a universally relevant phenomenon by focusing on a key element in this historical experience: the debates that took place about how best to develop a form of political subjectivity or agency (shutaisei) in the people that would prevent individuals from being dragged into authoritarian regimes. Existing scholarship on the "shutaisei debates" assumes the written word as the primary medium of controversy overlooking other modes through which the debates took place. To address this gap in our understanding and to change the way scholars think about the phenomenon in question, this interdisciplinary project will investigate how filmmakers used the practice of cinema to intervene in the conception of shutaisei. CINETIVITY is expected to point out the value of the process whereby post-war Japanese intellectuals and filmmakers fostered democracy, thus inspiring the European civil society in an age like the present, when the memory of totalitarian regimes is gradually fading and authoritarian movements are gaining ground. The intersection between Political Philosophy and Film Studies which lies at the core ofthe project will bring a new perspective reinforcing the scientific community's knowledge on post-war Japanese democratic ideas and films while bridging the disciplinary divides that limit our ability to conceptualize political processes and aesthetic movements across multiple fields. Under the supervision of Dr Chris Perkins (Senior Lecturer in Japanese), the applicant will build upon his current skill set by receiving thorough training and mentoring, and will expand his international experience and professional networks at the University of Edinburgh.

关于民主进程，学术界通常关注西方的模式，而往往忽视日本等其他社会文化现实的价值。 CINETIVITY 旨在通过关注这一历史经验中的一个关键要素，提高学者们对战后日本民主进程这一普遍相关现象的兴趣和了解：关于如何最好地发展某种形式的政治主体性的辩论或人民中的机构（shutaisei），可以防止个人被拖入独裁政权。现有的“集大成辩论”学术假设书面文字是争议的主要媒介，而忽视了辩论发生的其他方式。为了解决我们理解上的这一差距并改变学者们对相关现象的思考方式，这个跨学科项目将研究电影制片人如何利用电影实践来干预“关闭艺术”的概念。 CINETIVITY预计将指出战后日本知识分子和电影制片人培育民主的过程的价值，从而在当今极权政权的记忆逐渐褪色、独裁运动日益盛行的时代激励欧洲公民社会。作为该项目核心的政治哲学和电影研究之间的交叉点将带来新的视角，加强科学界对战后日本民主思想和电影的了解，同时弥合限制我们概念化政治进程和美学运动能力的学科分歧跨越多个领域。在 Chris Perkins 博士（日语高级讲师）的监督下，申请人将通过接受全面的培训和指导来增强其当前的技能，并将扩大其在爱丁堡大学的国际经验和专业网络。