MUSLIVE: Musical Lives: Towards an Historical Anthropology of French Song, 1100-1300

MUSLIVE：音乐生活：走向法国歌曲的历史人类学，1100-1300

• 批准号: EP/X022501/1
• 负责人: Emma Dillon
• 金额: $ 274.53万
• 依托单位: King's College London
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=EP%2FX022501%2F1
• 关键词: MUSLIVE; Musical; Lives; Towards; Historical

Musical Lives is an interdisciplinary study of the earliest surviving French song repertories in the period of their creation and early transmission, 1100-1300. Within musicology and literary studies, these traditions have long had special status as a cornerstone of the emerging European poetic and musical canon. While scholarship to date has established important philological methods for recuperating songs as texts, and for generating critical insight into their poetic and musical craft, Musical Lives proposes a radical reorientation: a focus on the people who first made and sang these songs. It develops new philological and practice-led methodologies for song analysis, examining musical processes of adaptation and intertextual networking in the context of social networking through song, across wide geographies and traditions. MUSLIVE will couple musical evidence with exploration of song's makers and performers within structures of individual, family and community expression, and across distinctions of gender, generation, race and rank; it will trace song transmission through itineraries and encounters in an era of mass movement of people (crusade, pilgrimage, exile, economic migration); and it will widen the usual spheres of musical encounter, in particular including Arabic and Hebrew lyric, in order to establish a larger lyric tradition, from Western Europe across the Mediterranean to the Levant. The project has far-reaching implications not only for the disciplines of musicology and literary studies, but also for history more generally. As well as continuing to develop new transnational approaches to French literature of this period, the project calls attention to evidence that is often thought peripheral in most historians' accounts to date, developing a model for an historical anthropology which accounts for singing and song-making as crucial in the formation and articulation of human identities and relationships.

《音乐生活》是对现存最早的法国歌曲曲目的跨学科研究，研究对象是 1100 年至 1300 年的创作和早期传播时期。在音乐学和文学研究中，这些传统长期以来作为新兴欧洲诗歌和音乐经典的基石而享有特殊地位。虽然迄今为止的学术界已经建立了重要的语言学方法，用于将歌曲恢复为文本，并对歌曲的诗歌和音乐技巧产生批判性的洞察力，但《音乐生活》提出了一种彻底的重新定位：关注最初创作和演唱这些歌曲的人。它开发了新的语言学和实践主导的歌曲分析方法，通过歌曲在社交网络的背景下审视适应和互文网络的音乐过程，跨越广泛的地域和传统。 MUSLIVE 将把音乐证据与歌曲制作者和表演者在个人、家庭和社区表达结构中的探索结合起来，并跨越性别、世代、种族和等级的区别；它将通过人们大规模流动（十字军东征、朝圣、流亡、经济移民）时代的行程和遭遇来追踪歌曲的传播；它将扩大音乐接触的通常领域，特别是包括阿拉伯和希伯来抒情诗，以建立一个更大的抒情传统，从西欧穿过地中海到黎凡特。该项目不仅对音乐学和文学研究学科具有深远的影响，而且对更广泛的历史也具有深远的影响。除了继续开发研究这一时期法国文学的新的跨国方法外，该项目还呼吁人们关注迄今为止在大多数历史学家的叙述中经常被认为是次要的证据，开发一个解释歌唱和歌曲制作的历史人类学模型对于人类身份和关系的形成和表达至关重要。