Shared digital futures: partnership and meaning-making in newly digitised collections.

共享数字未来：新数字化馆藏中的伙伴关系和意义创造。

基本信息

批准号：
AH/X002969/1
负责人：
Carl Warner
金额：
$ 4.13万
依托单位：
Imperial War Museums
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2022
资助国家：
英国
起止时间：
2022 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FX002969%2F1
关键词：
Shared digital futures partnership meaning

项目摘要

Can inclusive, partnership-based interpretive curation methods be run alongside museum archiving and preservation processes, rather than after the material has been selected and presented to the public as viewable digital assets? Drawing on the lessons learned in the recent provisional semantics project, Shared digital futures: partnership and meaning-making in newly digitised collections, takes an experimental, partnership model to bring a diverse range of perspectives to bear on collections that are 'fresh out of the oven' - newly digitised, with skeleton records to achieve basic archival clarity but lacking any optimisation or interpretation to provide or curate meaning. A PI and CI at IWM will, in collaboration with a CI at the Delfina Foundation (whose pioneering Collecting as Practice approach unpacks issues relating to the ways in which collections are shaped, maintained and framed), select three artist, researcher or curator practitioners to: - Expose the AHRC-funded digitised material (currently nearly 400 films and counting) to scrutiny by a CI team with experience and perspectives lacking in IWM's teams, with support from a museum PI team.- With the CI teams, develop experimental documentation and interpretation for material selected for deeper analysis by those CI and PI teams via conversation and collaboration with user-groups, showcasing that interpretation via both existing IWM online collections facilities and a specific section of the IWM website.- Redraft the methodology for selecting and prioritising new phases of curatorially/research-driven digitisation as a result of co-investigation of both early methods and the lessons learned through the documentation produced in the project's journey (curatorial rationale for digitisation accounts for approximately 40% of the Digital Futures output - 60% is motivated by immediate preservation needs. 100% of the material has yet to be interpreted.) - Build capability to ensure that this process and way of thinking is embedded within the full lifecycle of the Digital Futures project - and subsequent projects, empowering a diverse range of people who will work in partnership with the museum to refine and continually reassess the project - from selection, through documentation and interpretation, to public outputs.- Collaboratively engage community voices in interpretation of archival collections and to interrogate and discuss collections and the systems and processes which govern their care and use (including how they are interpreted for the public) and engage broader practitioners and researchers to interrogate and discuss collections and the systems and processes which govern their care and use (including how they are interpreted for the public)The legacy of the project funding will be incrementally more diversely-informed selection of material for digitisation and interpretation; diverse perspectives added at the formative stage of documentation in collaboration with museum teams; and greater opportunities for agile and immediate public programme outputs to appeal to a wider and more diverse audience, specifically:- Communities connected to conflict by experience, circumstance or identity, engaged via consultation and creative engagement workshops- User groups of community archives (e.g. members of IWM's War and Conflict Subject Specialist Network and listed archives at communityarchives.org.uk)- Artists and researchers led by the Collecting as Practice CIs, reaching beyond the project team- Sector audiences, reaching 500+ UK and international members of IWM's War and Conflict Subject Specialist Network sharing lessons learnt via blog posts and holding online discussion event to explore key questions raised by the project.

可以与博物馆的归档和保存过程一起运行包容性的，基于合作伙伴的解释性策划方法，而不是在选择并将其作为可见的数字资产提供给公众之后？ Drawing on the lessons learned in the recent provisional semantics project, Shared digital futures: partnership and meaning-making in newly digitised collections, takes an experimental, partnership model to bring a diverse range of perspectives to bear on collections that are 'fresh out of the oven' - newly digitised, with skeleton records to achieve basic archival clarity but lacking any optimisation or interpretation to provide or curate meaning. IWM的PI和CI将与Delfina Foundation的CI合作（其开拓性作为实践方法的开拓性收集均取消了与收集方式相关的问题，该问题与构成，维护和构建的方式相关），精选的三位艺术家，研究人员或策展人从业人员可以： IWM's teams, with support from a museum PI team.- With the CI teams, develop experimental documentation and interpretation for material selected for deeper analysis by those CI and PI teams via conversation and collaboration with user-groups, showcasing that interpretation via both existing IWM online collections facilities and a specific section of the IWM website.- Redraft the methodology for selecting and prioritising new phases of curatorially/research-driven digitisation由于早期方法和通过项目旅程中产生的文档所学到的经验教训的共同投资（数字化的策展理由约占数字期货产量的40％ - 60％的动机是由立即保存需求激励的。） - 建立能力，以确保这种过程和思维方式嵌入到数字期货项目的整个生命周期中，以及随后的项目，赋予各种各样的人，这些人将与博物馆合作地合作，以精炼和不断地进行研究，从选择和融合了公共成果，从而与公共交流进行了交流，以与公共交流，以融合公共成果，以实现公众的交流，以实现公共成果，以实现公共成果，并将询问和讨论管理其护理和使用的收藏以及系统和流程（包括如何向公众解释），并让更广泛的从业人员和研究人员询问和讨论收集的收藏，以及控制其护理和使用的系统和过程（包括如何对公众解释他们的遗产）项目资金的遗产将逐渐逐渐促进物质化的材料，以促进对挖掘和诠释的选择。与博物馆团队合作，在文档的形成阶段增加了不同的观点；以及更大的敏捷和即时公共计划的成果的机会，以吸引更广泛，更多样化的受众，特别是： - 通过经验，情况或身份与冲突相关的社区，通过咨询和创造性参与研讨会参与，社区档案的用户群体 - IWM的战争和主题网络的成员（例如，在社区中列出的档案中的临时档案）。行业的受众群体吸引了500多个英国，以及IWM战争和冲突主题专家网络的国际成员，通过博客文章学习并举办在线讨论活动，以探索该项目提出的关键问题。