Study on mutually-referential structure and effective history concerning sketches in the journey diaries of Le Corbusier

勒·柯布西耶旅行日记草图互指结构及有效历史研究

• 批准号: 21520132
• 负责人: MATSUMASA Teiji
• 金额: $ 2.91万
• 依托单位: University of Toyama
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2009
• 资助国家: 日本
• 起止时间: 2009 至 2012
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-21520132/
• 关键词: 芸術諸学; ル・コルビュジエ; 建築史・意匠; 美術史; スケッチ; ル・コルビュジェ

After the analysis of the reasons why the objects of many sketches and photos left in the “journey to the East”（1911) by Le Corbusier were drawn and taken at the place and in the composition, through the practical research, it became in fact clear that his interests in the volumes, their distribution and composition, which are architecturally more essential in historical architecture and ruins in Turkey, Greece and Italy than those of his sketches before the start of this journey, had increased, that the scene which can fulfill his interests most surely, among the large possibility of places, objects and compositions, had been regarded as central theme, and that this ability to apprehend this essence is used for his later works and writings.

勒·柯布西耶《东游记》（1911）中留下的许多素描和照片的对象是在地点和构图中绘制和拍摄的原因进行分析后，通过实践研究，实际上变成了显然，他的体积、分布和构图在土耳其、希腊和意大利的历史建筑和遗址中比他在这次旅程开始之前的草图更重要，已经增加了，可以满足场景的兴趣他的兴趣最肯定的是地点、物体和构图的巨大可能性被视为中心主题，这种理解这一本质的能力被运用到他后来的作品和著作中。