Studies on Buddhist Art from the viewpoint of Exchange and Tradition-From India to Japan-

从交流与传统的角度研究佛教艺术——从印度到日本——

基本信息

批准号：
16320020
负责人：
MIYAJI Akira
金额：
$ 9.47万
依托单位：
Ryukoku University (2007)Nagoya University (2004-2006)
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
2004
资助国家：
日本
起止时间：
2004 至 2007
项目状态：
已结题

项目摘要

The purpose of our research is to clarify some aspects of the propagation of the Buddhist Art from India to Japan through the Central Asia, China and Korea, and its transition and development, taking the multifaceted viewpoint of' 'Exchange and Tradition.' We have placed emphasis on the themes such as Jatakas, Biography of Buddha, Jodo art, and the art of Six Realms. They are all main themes of the Buddhist art and furthermore they show their great transition and developments on the way to spread over from India to Eastern Asia.(1) Studies on the Jatakas deal with a aspect of the changes from the narratives based on the thought of the reincarnation by karma in India to the narratives stressing the six practices in China. Moreover, the process that Dipa〓kara Jataka as the beginning episode of Sakyamuni Buddha in Gandhara developed as the thought of the prophecy of future enlightenment (vyakarana) is clarified.(2) Studies on the illustrated biography of Buddha focused on the 'Maravijaya' … More or the 'enlightenment' and the 'Nirvana' or the 'Death of Buddha' to reach the following conclusion; The discourse on the Maravijaya shows the iconographic features of the Mara, his subordinates, his daughters and the earth goddess seen in every countries or areas and periods to trace the transition from India to the Central Asia, and on to China. A study on Nirvana discusses the development of the narrative representation; it started from the beginning as a part of the biography based on the Palis Mahapalnnivva〓a-suttanta and then connected with the cult of stupas and of the Maitreya in India and Central Asia, and finally and finally developed to the completion of the iconography related with Mahayana texts such as Mahaparinirvana-sutra and during T'ang China.(3) As for the Jodo Art, we examined several topics ; the aspects of the creation of the transformation scene of Pure Land in Gandhara, the relationship between the meditation practice and the Jodo paintings in Central Asia, the relationship between the illustrated Jodo and the Jodo text Guanwuliangshoujing from the Northern Qi to the early T'ang dynasty and the development of the transformation scenes of the Pure land based on the former text in China, Korea and Japan.(4) On the Art of Six realms, we examine the comparative study of the Six realms art in China and Japan, and also focus on the relationship between the Jizojuo-zu and Sui-riku-ga, and the relation between the depiction of the impurity of the human realms such as the illustrated decomposing corpse and the Kusoshi handscroll and the contemplation to clarify the aspects of the respective individuality and link in China and Japan from the viewpoint of 'Exchange and Tradition'. Less

我们研究的目的是从“交流与传统”的多方面角度来阐明佛教艺术从印度经中亚、中国和韩国传播到日本及其转变和发展的某些方面。重点强调本生经、佛传、净土艺术、六界艺术等主题，它们都是佛教艺术的主题，并且在从印度传播到印度的过程中表现出巨大的转变和发展。东(1)《本生经》的研究涉及从印度以业力轮回思想为主的叙述到中国强调六修行的叙述的一个方面，以及燃灯本生经的过程。释迦牟尼佛在犍陀罗的开端是随着未来觉悟预言思想的阐明而发展起来的。(2)佛陀图传研究主要集中在佛陀图传的研究上。 “Maravijaya”……更多或“成道”和“涅槃”或“佛陀灭亡”得出以下结论：关于Maravijaya的论述显示了魔罗、他的下属、他的女儿们和大地女神的图像特征；《涅槃研究》从一开始就以传记为基础，探讨了叙事表现的发展；帕里斯大般涅槃经，然后与印度和中亚的佛塔和弥勒崇拜联系起来，最后发展到完成与大乘涅盘经和唐朝等大乘文献有关的图像学（3）关于净土艺术，我们考察了几个方面：犍陀罗净土化景的创作、禅修与净土的关系。中亚绘画、北齐至唐初净土图画与净土文字《观物两守经》的关系，以及中国、韩国、日本基于前文的净土变幻场景的发展。 (4)关于六界艺术，我们考察了中日六界艺术的比较研究，并重点探讨了地藏十祖与水陆画的关系，以及地藏十祖与水陆画的关系。腐尸图、九藏手卷等对人间不净的描绘，以及从“交流与传统”的角度阐明中日各自个性和联系的思考。