The Imagination of Orientation in Aesthetics

美学取向的想象

• 批准号: 13610055
• 负责人: OTABE Tanehisa
• 金额: $ 2.24万
• 依托单位: The University of Tokyo
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2001
• 资助国家: 日本
• 起止时间: 2001 至 2003
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-13610055/
• 关键词: orientation; pantheism; Novalis; hieroglyph of nature; historicity; Schlegal; universalism and regionalism; gothic revival; 普遍主義; 特殊主義; ゴシック復興; 歴史意識; ゴシック; 北方; 東方; ロマン主義

In this research I introduced a new concept "imagination of orientation" by which I meant how each orientation or quarter was combined with specific characteristics.Based on the analysis of "imagination of orientation" I dealt firstly with the process how classicism that canonizes Greek art and tends to the "universalism" was criticized by romanticism which legitimizes the "northern" characteristic of art and secondly how the expressionism at the beginning of the 20th century was supported by the Gothic revival which stresses the "Germanism" of Gothic art.Further, I treated the problem of "Japaneseness" in aesthetics from the viewpoint of orientation and made clear that the Japanese aesthetics which emphasized the "eastern" spirit in the "Japaneseness" repeated unconsciously the orientalism that was forced to it by the Western aesthetics.It follows that the analysis of the imagination of orientation will contribute to critical regionalism in the period of globalization.

在本研究中，我引入了一个新的概念“取向想象”，即每个取向或季度如何与具体特征相结合。在对“取向想象”的分析的基础上，我首先讨论了古典主义如何推崇希腊艺术的过程。其次，20世纪初的表现主义是如何得到哥特式复兴的支持的。进而，我从取向的角度来看待美学中的“日本性”问题，明确了强调“日本性”中的“东方”精神的日本美学，在不知不觉中重复了“日本性”中的东方主义。由此可见，对取向想象的分析将有助于批判全球化时期的地域主义。