A Study of the workings and correlations between authors and publishers under prosperous publishing in Edo period.

江户时代出版业繁荣下的作者与出版商的运作及关系研究。

基本信息

批准号：
09610449
负责人：
NISHIJIMA Atsuya
金额：
$ 1.47万
依托单位：
Mukogawa Women's University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1997
资助国家：
日本
起止时间：
1997 至 2000
项目状态：
已结题

项目摘要

First, I considered the correlations between the activity of Ihara Saikaku and Publishers under prosperous publishing from the sense of composition of Shoen Okagami which was created presupposing publishing. Although it is said they are enumerative and associate, it was clear from the result of considering chapter 1-2 and 1-3 that they have careful compositions. The result clearly shows that Saikaku created his work under counting fully. Saikaku's attitude that he tackled newly publishing literature is same as the attitude of Okada Saburoemon who is the printer of Shoen Okagami. Okada did not publish Nidai Otoko as a sequel to Ichidai Otoko, but published Shoen Okagami. It is consistent with the sense of Siakaku's theme that he attempted to describe the limit of a woman's beauty from various view's. It was found from their results that their activity formed positive consequences.Second, I considered the activity of Kujokan Donei who was a comic Poet, Hachimonjiya Hakuro who was a Printer and Kagaya Uhei who was a Publisher. Donei related to printing of Kyo Machi kagami, Setsuyo shu and Orai mono which work as an encyclopedia. It accomplished under cultural circle consisted Authors and Printers as Media Community. The cultural circle that was formed by Donei or Hakuro acted as torchbearers of the culture and spread the culture. It meant that the activity of publishing permeated the public. The environment formed, the public received culture through publishing, and printers and authors did not only pursue moneymaking, they had a cultural part. It is necessary to grasp the activity of printers and authors from the above point of view.

首先，我从以出版为前提而创作的《冈上书园》的创作意义上，思考了出版繁荣时期伊原西画的活动与出版商之间的关联。虽然说它们是列举性和联想性的，但从考虑第1-2章和第1-3章的结果可以明显看出，它们的构成很仔细。结果清楚地表明西鹤在充分计数的情况下创作了他的作品。西鹤对待新出版文学的态度与《冈上书园》的印刷者冈田三郎右卫门的态度是一样的。冈田没有将二代男作为《一代男》的续集出版，而是出版了《冈上书园》。他试图从不同的视角来描述女性美的极限，这与西亚卡库的主题意义是一致的。从他们的结果中发现，他们的活动产生了积极的后果。其次，我考虑了漫画诗人九条馆敦宁、印刷商八门寺白郎和出版商加贺谷宇兵卫的活动。敦荣与《京町镜》、《节阳集》和《Orai Mono》的印刷有关，这些书都是百科全书。它是在由作家和印刷商组成的媒体共同体的文化圈下完成的。多宁或白郎所形成的文化圈，充当着文化的火炬手，传播着文化。这意味着出版活动渗透到了公众之中。环境形成了，公众通过出版接受了文化，印刷商和作者不仅仅追求赚钱，他们还有文化的一部分。有必要从上述角度来把握印刷者和作者的活动。