Change of Galileo's art of persuasion in the sciences dispute and relations with language representation of the baroque period

伽利略在科学争论中说服艺术的变化及其与巴洛克时期语言表征的关系

• 批准号: 16520195
• 负责人: KOBAYASHI Mitsuru
• 金额: $ 2.46万
• 依托单位: Kyoto Sangyo University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2004
• 资助国家: 日本
• 起止时间: 2004 至 2007
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-16520195/
• 关键词: Galileo; baroque; Marino; Campanella; 潮汐理論; アッチェット

Galileo analyzed the relation between the Holy Bible and natural philosophy in the "Letter to Castelli" of 1613, and he proved that Copernican system is more convincing than the Aristotle Ptolemaic system, but there was also an aggressiveness of the logic, and he was involved in a religious dispute. As writing activity was developing from The Assayer to Dialogue concerning the Two Chief World Systems, his art of persuasion was evolving into the art that was able not only to defeat an enemy logically, but also to draw a reader with "an allegory".There was a cultural climate which regarded "senses" as important in the first half of the 17th century. For example, Galileo regards "sensate experiences and necessary demonstrations" as method for investigation of natural philosophy, Campanella explains nature from a viewpoint that everything has senses, and Marino takes the pleasure through the five senses as his poetry subject.Marino praised Galileo as the inventor of new apparatus who serves "senses" in his Adonis. In this poem two Italians are drawn as symbols in a new epoch, Columbus a navigator of the sea and geographical conqueror and Galileo another navigator of the heavens and conqueror of the natural philosophy. And consequently this work. is considered as a baroque variation of the poetry anxious for Italy that invokes the Italian great persons, such as Petrarca's "Italia mia" included in Canzoniere and Leopardi's "Ad Angelo Mai" included in Canti. When I consider that Marino published this work at the Court in Paris where he was gone by invitation of Maria de' Medici, I may place it with an important work of a precursory step of the "querelle des Anciens at des Modernes". This is a proof that Galileo's existence was a true event in 17th century Europe.

伽利略在1613年的《致卡斯泰利的信》中分析了圣经与自然哲学的关系，他证明哥白尼体系比亚里士多德托勒密体系更有说服力，但也存在逻辑上的侵略性，他被卷入其中。在宗教纠纷中。随着写作活动从《试探者》发展到关于两个主要世界体系的对话，他的说服艺术逐渐演变为不仅能够从逻辑上击败敌人，而且能够以“寓言”吸引读者的艺术。 17世纪上半叶，一种重视“感官”的文化氛围。例如，伽利略将“感觉经验和必要的论证”视为自然哲学的研究方法，康帕内拉以万物皆有感官的观点解释自然，马里诺则以五种感官的愉悦为诗歌主题。新装置的发明者，为他的阿多尼斯服务“感官”。在这首诗中，两个意大利人被描绘成新时代的象征：哥伦布是海洋航海家和地理征服者，伽利略是另一位天空航海家和自然哲学的征服者。因此这项工作。被认为是渴望意大利的诗歌的巴洛克变体，它援引了意大利伟人的名字，例如收录在 Canzoniere 中的 Petrarca 的“Italia mia”和收录在 Canti 中的 Leopardi 的“Ad Angelo Mai”。当我考虑到马里诺是应玛丽亚·德·美第奇的邀请，在巴黎宫廷出版这部作品时，我可以将它与“古代的现代性问题”的前奏的重要著作放在一起。这证明伽利略的存在是17世纪欧洲的真实事件。