International Joint Research on the Formation of the Traditional System for the Transmission of Drums in Asia as Found in the Marine Silk Road

海上丝绸之路亚洲传统鼓乐传承体系的形成国际联合研究

• 批准号: 16401004
• 负责人: YAMAMOTO Hiroko
• 金额: $ 7.36万
• 依托单位: OKYAMA UNIVERSITY
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (B)
• 财政年份: 2004
• 资助国家: 日本
• 起止时间: 2004 至 2006
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-16401004/
• 关键词: International Exchange between Researchers; Drum; India ＆ China; Marine Road; Kuchi-shoga; Kuchi-daiko; System of Transmission; Music; 中国・インドネシア; 中国:シンガポール:ベトナム

The purpose of this research is threefold. First, by collecting rhythm patterns found among culture of drums in Japan and its surrounding Asian regions and constructing a databank based on documentation of onomatopoeia which is used as a traditional method of transmission of rhythm patterns in each region, this research seeks to elucidate the interrelationship among drum performances in Asia. Second, by conducting comparative analysis of the systems of onomatopoeia of various regions, it seeks to highlight the musicality of the Japanese people. In addition, this research also seeks to contribute materials concerning the preservation and development of traditional drum performances in Asia and to propose relevant theoretical and methodological issues.Fieldwork was conducted in China, Vietnam, Indonesia, India and Japan to collect data.1.We observed festivals, rituals and performing arts as they were performed in actual context by participating in them and were able to make documentation … More by taking photographs and video films whenever permission could be obtained.2.We requested that performances be held and documented dance drama, puppet theater and dances in order to obtain materials to be used for analysis of the performing style, or the actual text itself, of performing arts.3.We learned how to play the drums from people who transmit the technique and collected data about onomatopoeia and the method of transmission by interviewing these people.From these fieldwork it became clear that there are two cultural styles in onomatopoeia of drums: Indian style, single note onomatopoeia type and Chinese style multi note onomatopoeia type. It also became clear that there are also two levels of cultural area: one which simply imitates the sound of drums, which may be called "simple onomatopoeia of drums," and one that systematizes this simple pattern, or which may be called "systematized onomatopoeia of drums." Both factors are not necessarily related to one another, and overlap in a very complex way. Moreover, it has become clear by comparing these factors show that not only the context of drums but also various contexts associated with drums have an influential role in developing and systematizing onomatopoeia which "listens and imitates" so that it can become a system of transmission. Less

通过收集节奏模式的三重目的是在日本的围绕Asianr d的文化中，基于Docuthoeia构建数据库，该数据库是ASED，作为传统的每个地区传播节奏模式的传播方法亚洲的表演之间的内部趋势。印度和日本收集数据。1。weed and cormalings Arts，因为它们是在实际情况下通过参与制作文档的实际情况进行的，每当获得允许uld时，通过拍摄照片和视频电影，在实际情况下进行。举办并记录了舞蹈戏剧，木偶剧院和舞蹈，以获取用于分析实际文字本身的材料，表演艺术。3。我们学习如何播放传播他技术并收集有关Onomatopoeia和Onomatopoeia和from的数据通过采访这些野外工作的传播方法。鼓的声音被称为“鼓的简单拟声词，鼓声。鼓具有影响力的角色，使拟声植物“倾听和模仿”可以变成较少的传输系统

项目成果

太鼓ことば 口三味線『世界音楽の本』

太鼓词 口三味线《世界音乐书》

• 发表时间: 2007
• 作者: Hitomi Matsuda;Motoka Masuda;Hitomi Matsuda;垣内 幸夫;応 有勤;鈴木 正崇;山本 宏子;細井 尚子;山本 宏子;KAKIUCHI Yukio;YING Youqin;SUZUKI Masataka;YAMAMOTO Hiroko;YAMAMOTO Hiroko;YAMAMOTO Hiroko;細井 尚子;鈴木 正崇;垣内 幸夫;細井 尚子;山本 宏子;山本 宏子;山本 宏子;山本 宏子;SUZUKI Masataka Onam;KAKIUCHI Yukio;HOSOI NaokoKummati;YAMAMOTO Hiroko;YAMAMOTO Hiroko;YAMAMOTO Hiroko;山本 宏子;山本 宏子;鈴木 正崇;垣内 幸夫;細井 尚子;山本 宏子;山本 宏子;山本 宏子;山本 宏子;山本 宏子;山本 宏子;山本 宏子;山本 宏子;山本 宏子;徳丸 吉彦 他1名;山本 宏子;山本 宏子
• 通讯作者: 山本 宏子

アジアの口太鼓についての一考察

对亚洲口鼓的研究

• 发表时间: 2005
• 期刊: 東洋音楽学会 第56回札幌大会(札幌:札幌大谷短期大学) (口頭発表)
• 作者: Hitomi Matsuda;Motoka Masuda;Hitomi Matsuda;垣内 幸夫;応 有勤;鈴木 正崇;山本 宏子;細井 尚子;山本 宏子;KAKIUCHI Yukio;YING Youqin;SUZUKI Masataka;YAMAMOTO Hiroko;YAMAMOTO Hiroko;YAMAMOTO Hiroko;細井 尚子;鈴木 正崇;垣内 幸夫;細井 尚子;山本 宏子;山本 宏子;山本 宏子;山本 宏子;SUZUKI Masataka Onam;KAKIUCHI Yukio;HOSOI NaokoKummati;YAMAMOTO Hiroko;YAMAMOTO Hiroko;YAMAMOTO Hiroko;山本 宏子;山本 宏子;鈴木 正崇;垣内 幸夫;細井 尚子;山本 宏子;山本 宏子;山本 宏子;山本 宏子;山本 宏子;山本 宏子
• 通讯作者: 山本 宏子

Onomatopoeia of Drums, Onomatopoeia of Shamisen

鼓象声词、三味线象声词

• 发表时间: 2007
• 期刊: Book of the Music of the World (To be published)
• 作者: Hitomi Matsuda;Motoka Masuda;Hitomi Matsuda;垣内 幸夫;応 有勤;鈴木 正崇;山本 宏子;細井 尚子;山本 宏子;KAKIUCHI Yukio;YING Youqin;SUZUKI Masataka;YAMAMOTO Hiroko;YAMAMOTO Hiroko;YAMAMOTO Hiroko
• 通讯作者: YAMAMOTO Hiroko

クリシュナの化粧

克里希纳化妆

• 发表时间: 2006
• 期刊: 『第3回フェスティバル拍 リズムであそぼう(第4回おかやま県民文化祭協賛事業)』プログラム
• 作者: Hitomi Matsuda;Motoka Masuda;Hitomi Matsuda;垣内 幸夫;応 有勤;鈴木 正崇;山本 宏子;細井 尚子;山本 宏子;KAKIUCHI Yukio;YING Youqin;SUZUKI Masataka;YAMAMOTO Hiroko;YAMAMOTO Hiroko;YAMAMOTO Hiroko;細井 尚子;鈴木 正崇;垣内 幸夫
• 通讯作者: 垣内 幸夫

教員養成系大学における伝統楽器教授をめぐる問題点-中国福建師範大学との比較を通して-

师范院校传统乐器教学存在的问题——与国内福建师范大学的比较——

• 发表时间: 2005
• 期刊: 民俗音楽研究 30号(印刷中)
• 作者: Hitomi Matsuda;Motoka Masuda;Hitomi Matsuda;垣内 幸夫;応 有勤;鈴木 正崇;山本 宏子;細井 尚子;山本 宏子;KAKIUCHI Yukio;YING Youqin;SUZUKI Masataka;YAMAMOTO Hiroko;YAMAMOTO Hiroko;YAMAMOTO Hiroko;細井 尚子;鈴木 正崇;垣内 幸夫;細井 尚子;山本 宏子;山本 宏子;山本 宏子;山本 宏子;SUZUKI Masataka Onam;KAKIUCHI Yukio;HOSOI NaokoKummati;YAMAMOTO Hiroko;YAMAMOTO Hiroko;YAMAMOTO Hiroko;山本 宏子;山本 宏子;鈴木 正崇;垣内 幸夫;細井 尚子;山本 宏子;山本 宏子;山本 宏子;山本 宏子;山本 宏子;山本 宏子;山本 宏子
• 通讯作者: 山本 宏子