Joint Research Relating to the Influence of Korean Reliquaries on those of Japan

韩国遗物对日本遗物影响的共同研究

• 批准号: 63044043
• 负责人: NAKANO Masaki
• 金额: $ 3.07万
• 依托单位: Tokyo National University of Fine arts and music
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for international Scientific Research
• 财政年份: 1988
• 资助国家: 日本
• 起止时间: 1988 至 1990
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-63044043/
• 关键词: Reliquaries, (Sarira Containers); Sufuku-ji; Kamun-sa; Hwangryong-sa; Nanako, (a Stippling Technique); Fukurentenmon, (Pairs of Embossed Dots)

Ancient Japanese reliquaries (Sarira containers) are thought to have been made under direct influence from Korea. This joint research project was aimed at clarifying this point, examining in particular the metalwork techniques used in examples from both countries.During the term of this project (1988 to 1991), we have conducted three trips to Korea for research. Thanks to the kind support of the National Museum of Korea, we have been able to gather important data on this subject. In the first and second trips, we examined reliquaries in the collections of the National Museum of Korea in Seoul and the Kyongiu National Museum primarily the reliquaries from Kamun-sa, Pulguk-sa, Hwangryong-sa, and Hwangbog-sa. In the third, we surveyed the pagodas where these had originally been placed. In Japan, we have conducted in depth research on objects found at the site of the pagoda of Sufuku-ji.The research trips have enabled us to ascertain the following :the nanako, (a stippling technique) used in the reliquary of Kamun-sa (682 A. D.) and that of a reliquary and an iron mirror from Sufuku-ji (each 668 A. D.) are similar in shape. Nanako was a popular metalwork technique during the Unified Silla a Period, and no earlier example is known in Japan than in Japan than the Sufuku-ji objects. The fukurentenmon, (pairs of embossed dots) also appearing on the Kamun-sa, may be compared with the same technique seen on gilt bronze Buddhist images among the Horyu-ji Treasures. Therefore, we have confirmed that these metalwork techniques had been introduced to Japan from Unified Silla in the 660's A. D., around the time of the foundation of Sufuku-ji.Articles on this subject and one on the "Four Heavenly Kings" on the reliquary of Kamun-sa were published in "ARS BUDDHICA", no. 188, (1990).

古代日本的圣物盒（舍利容器）被认为是在韩国的直接影响下制造的。这个联合研究项目旨在澄清这一点，特别研究两国示例中使用的金属加工技术。在该项目期间（1988年至1991年），我们已三次前往韩国进行研究。感谢韩国国家博物馆的大力支持，我们得以收集有关该主题的重要数据。在第一次和第二次考察中，我们考察了首尔国立中央博物馆和国立庆州博物馆收藏的圣物，主要是来自甘文寺、普尔国寺、黄龙寺和黄峰寺的圣物。第三次，我们调查了最初放置这些佛塔的地方。在日本，我们对在 Sufuku-ji 宝塔遗址发现的物品进行了深入研究。研究之旅使我们能够确定以下内容：Kamun-sa 舍利匣中使用的 nanako（一种点画技术） （公元 682 年）的圣物盒和来自苏福寺的铁镜（公元 668 年）的形状相似。菜子子是统一新罗时期流行的金属加工技术，在日本，没有比铃福寺器物更早的例子了。花纹寺上也出现了福连天门（成对的浮雕圆点），可以与法隆寺宝藏中的鎏金青铜佛像上看到的相同技术进行比较。因此，我们确认这些金属制品技术是在公元 660 年代，大约在铃福寺建立的时候，从统一新罗传入日本的。关于这个主题的文章和一篇关于圣物盒上的“四大天王”的文章Kamun-sa 发表于《ARS BUDDHICA》，第 1 期。 188，（1990）。

项目成果

NAKANO, Masaki ;: NAKANO, masaki. Joint Research Relating to the Influence of Korean Reliquaries on those of Japan, 1-27 (1991)

中野正树；：中野正树。

中野 政樹 他: "昭和63・泰来元・平成2年度文部省科学研究費補助金(海外学術研究)研究成果報告書『日韓舎利器の調査およびその影響に関する共同研究』" 中野 政樹, (27)

中野正树等：《1988年、1983年、1990年文部科学省科学研究补助金（海外学术研究）研究成果报告》《调查》日本和韩国的舍利器及其影响的共同研究””中野正树，（27）

中野 政樹: "「〔滋賀〕崇福寺塔跡発見の舎利容器」" 『仏教芸術』. 188. 100-107 (1990)

中野正树：“在崇福寺宝塔遗址发现的[志贺]斜利容器”《佛教艺术》188. 100-107 (1990)。

NAKANO, Masaki: "Shiga Prefecture : Sarira Containers Discovered in the Pagoda of Sufuku-ji" Ars Buddhica. 188. 100-107 (1991)

中野正树：“滋贺县：在素福寺宝塔中发现的舍利容器”Ars Buddhica。

水野 敬三郎: "「〔韓国〕感恩寺申塔舎利具の四天王像」" 『仏教芸術』. 188. 70-79 (1990)

Keizaburo Mizuno：“[韩国]甘恩寺塔舍利上的四大天王雕像”佛教艺术 188. 70-79 (1990)。