PHILOLOGICAL RESEARCH ON THE SEKKYO-BUSHI, AND ITS PRESERVATION AND RECORDING

《石教节》的语言学研究及其保存和记录

• 批准号: 09610440
• 负责人: AKIYA Osamu
• 金额: $ 1.02万
• 依托单位: HITOTSUBASHI UNIVERSITY
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1997
• 资助国家: 日本
• 起止时间: 1997 至 1999
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-09610440/
• 关键词: Sekkyo-bushi; Sekkyo-saimon; Sekkyo-genji-bushi; narrative; Ogurihangan; puppet play; Sado-island; Satsuma-Wakadayu; 金平節(キンピラブシ); 説経祭文(セッキョウサイモン); 説経源氏節(セッキョウゲンジブシ); 「小栗判官」(オグリハンガン); 説経節; 信田妻(しのだづま); 民衆芸能; 佐渡の民俗芸能; 多摩の民俗芸能; 薩摩若太夫; 鼓女唄

This study aims at a philological research on the Sekkyo-bushi which is a narrative and has been handed down to nowadays, and its preservation and recording, and serve to hand down to posterity by means of this work. I found that the Sekkyo-bushi which had been handed down in Sado-island was originated in that one which had been narrated in 17ィイD1thィエD1 century, and the textbook had been also originated in the same old Sekkyo-bushi in 17ィイD1thィエD1 century. I recorded and published the Sekkyo-bushi of Sado-island by an only narrator whose name was Tsuruma, by means of digital recording.I researched another Sekkyo-bushi which was named Sekkyo-saimon and had narrated after 1804 (the latter half of the Tokugawa era), and made the real state and historical significance of it clear. The Sekkyo-saimon spread to Akita, Kanagawa and other prefectures, and influenced folk tales and Buddhism folksongs. I also recorded and published the basic 48 melodies of the Sekkyo-saimon which was narrated by the 10ィイD1thィエD1 Satsuma-Wakadayu, by means of digital recording. I investigated about the Sekkyo-genji-bushi which was created under the influence of the Sekkyo-saimon at Nagoya, and studied its textbooks, and listed up these textbooks : the Sekkyo-bushi, the Sekkyo-saimon and the Sekkyo-genji-bushi with the name of owners. As a result of this research, the aim of this investigation could be accomplished to a certain extent. In addition, I will intend to serve to preserve these narrative.

这项研究旨在对Sekkyo-Bushi进行一项语言学研究，该研究是一种叙述，已被传授到当今的叙事，以及其准备和记录，并通过这项工作来延续到后代。我发现在萨多岛（Sado-Island）传下来的Sekkyo-Bushi最初是在17 d1thie d1 Century叙述的那个，而教科书也是在同一旧的Sekkyo-Bushi D1 Centory中原创的。我通过数字录音录制并出版了唯一的叙述者的萨多岛的Sekkyo-Bushi，其名字叫Tsuruma。 Sekkyo-Saimon传播到Akita，Kanagawa和其他偏爱，并影响了民间故事和佛教徒。我还通过数字录制，录制并发表了Sekkyo-Saimon的基本48旋律，该旋律是通过数字录音的第十次D1thie D1 Thie D1 Satsuma-Wakadayu讲述的。我调查了Sekkyo-genji-Bushi，该文章是在Sekkyo-Saimon在Nagoya的影响下创建的，并研究了教科书，并列出了这些教科书：Sekkyo-Bushi，Sekkyo-Saimon和Sekkyo-Saimon和Sekkyo-Genji-Bushi，sekkyo-genji-bushi和所有者的名字。由于这项研究，可以在一定程度上完成这项调查的目的。此外，我将打算保存这些叙述。

项目成果

秋谷 治: "民衆文化の伝播と変容-『説経さい文小栗半官・照手の姫』をめぐって-" 一橋論叢. 第121巻 第3号. 1-15 (1999)

秋谷修：“流行文化的传播和转变 - 关于‘Sekkyo Saibun Oguri Hankan/Terute no Hime’ -”一桥论庄，第 121 卷，第 3. 1-15 期 (1999)

秋谷治: "民衆文化の伝播と変容-『説経祭文小栗半官・照手の姫』をめぐって-"一橋論叢. 第12巻3号. 1-15 (1999)

秋谷修：“流行文化的传播和转变 - 关于‘Sekkyo Saibun Oguri Hankan/Terute no Hime’ -”一桥论庄第 12 卷，第 3. 1-15 期 (1999)

秋谷 治: "佐渡の人形芝居"国文学 解釈と鑑賞. 第64巻第8号. 62-70 (1999)

秋谷修：《佐渡木偶戏》日本文学解读与欣赏第64卷第8期。62-70（1999）

秋谷治: "説経節「小栗判官」の鬼鹿毛"多摩のあゆみ. 第95号. 30-38 (1999)

秋谷修：“石京节‘小栗半岸’的荻影”《多摩史》第 95 期。30-38（1999 年）。

秋谷 治: "説経節「小栗判官」の鬼鹿毛"多摩のあゆみ. 第95号. 30-38 (1999)

秋谷修：“Sekyo-bushi Oguri Hangan 的 Onishikage” 多摩历史第 95 期。 30-38 (1999)。