German Literature and Media

德国文学与媒体

基本信息

批准号：
07301055
负责人：
ASAI Kenjiro
金额：
$ 7.3万
依托单位：
University of Tokyo
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (A)
财政年份：
1995
资助国家：
日本
起止时间：
1995 至 1997
项目状态：
已结题

项目摘要

The nosthetic and social paradigm of literary and other artintic expressions has begun to go through a significant change as the result of the development of new media technologies such as photography, the motion picture, sound recording and electronic communication, which atarted to appear since the latter half of the nineteenth century. The beginning of today's computer age is functioning as another cause to the rapid change of thin paradigm. Our research project was launched in order to critically examine this phenomenon as well as to relativise the traditional framework of literature studies by focusing upon the media of expression instead of the subject of it. During the 21 colloquia so far, each of which was consisted of study reports from the participants and discussions over them, we have1.investigated the position of the writing culture within the larger circumstances of the modern media by focusing on Kafka and Musil among others. We examined further the process of how the le … More tter symbols had been used to integrate the voice (or noise), madness and the body, and also discussed its possibilities, focusing on the concrete poetry as a literary attempt for this goal as well as on the "storytelling" as an imitation of the oral tradition.2.While evaluating the contemporary German media theories positively, examined the media theories, language theories and translation theories of W.Benjamin, who was a critic at the dawning age of verbal and other artistic expressions based on reproduction techniques. In this regard, we have selected for our future discussions such topics as the mediation character of verbal expression, the density of the mediation material of expression, the possibility for word-for-word translation, the delay of perception through the new media and the formation of the mass.3.discovered that the recognition structure through language has altered under the development of science and technology with regards to the writing activities of authors such as Th.nn, G.Benn and R.Musil, whose texts were examined from this point of view. The literary movements of those writers who were from the former eastern Germany, which was going through a period of major social changes, were also reviewed from the same perspective.4.stressed the actuality of other fields than literature such as songs, instrumental music, opera and photography as well as that of such problems as narcissism and pigmalionism, as neighboring fields and problems to literature from the points of views of artistic expression, mediation material of expression and virtual reality. Further, we discussed the problem of the contrast between inside and outside of the world that is caused by the media.Our research project has thus been concentrating on raviewing literary expressions from the perspective of the media. It was, however, also pointed out that it was impossible to separate the subject of perception and expression as the "body" which stands against the media from the above perspective. It will be critically important to commence an approach from the perspective of the body in order to examine the paradigm change through the modern media as a whole. Less

文学和耳texpressics的象征性和索拉迪格已经开始使用新的媒体技术，例如摄影，电影，声音录音和电子通信，这是19世纪的一半。为了批判性地检查then themenon，以便在21个科律学科的媒介上介绍了传统的文学研究框架，以便在21个科目的媒体上进行介绍。在现代媒体的较大情况下，通过关注Kafka和Musil等的地位。还讨论了它的可能性，重点是混凝土诗歌作为对口头传统的模仿的尝试。2。在基于繁殖技术的言语和艺术表达时期，他的未来讨论。新的媒体和质量的形成。3那些正在经历了重大社会变化时期的作家奥尔默·东部的运动，也从同一角度进行了审查。4.4.4.4.4.4.4.4.4.4.4.4.4.4.4.4.4。强调其他领域的现实，而不是歌曲，诸如歌剧，歌剧，歌剧以及诸如自恋和鸽子主义之类的问题，就像邻近的领域和有关艺术表达的观点的文献，媒介的媒介和虚拟现实中的媒介。因此，从媒体的角度来看，我们的研究项目一直在对文学表达的看法，但它也指出，从上述媒体上，从上面的媒体上表示，不可能将其视为Percesssion。从身体的角度来看。