Karl Philipp Moritz, Complete works. Critical and annotated edition, vol. 3; Theoretical writings onart and literature

卡尔·菲利普·莫里茨，全集。

• 批准号: 507012920
• 负责人: Privatdozent Dr. Martin Disselkamp
• 金额: --
• 依托单位: Berlin-Brandenburgische Akademie der Wissenschaften
• 依托单位国家: 德国
• 项目类别: Publication Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/507012920?language=en
• 关键词: Karl; Philipp; Moritz; Complete; works.

Volume 3 of the Critical Karl Philipp Moritz Edition contains Moritz’s theoretical writings on art and literature. These include his seminal contributions to aesthetic theory, which formulate the idea of the self-referential work of art and elucidate its consequences, namely, Versuch einer Vereinigung aller Künste und Wissenschafte unter dem Begriff des in sich selbst Vollendeten (An essay to subsume all arts and sciences under the concept of an object completed in itself); Ueber die bildende Nachahmung des Schönen (On the formative imitation of the beautiful); In wie fern Kunstwerke beschrieben werden können (To what extent can works of art be described); and Ueber die Allegorie (On allegory). In addition, the volume features a number of shorter essays on art and literature, most of which were originally printed in journals; and other independent publications: Versuch einer deutschen Prosodie (An essay on German prosody, edited by Lars Korten): a polemic treatise directed at Joachim Heinrich Campe on the relationship between author and publisher: Vorbegriffe zu einer Theorie der Ornamente (Preliminary thoughts on a theory of ornamentation): and Vorlesungen über den Styl (Lectures on style). Moritz’s essay “Die metaphysische Schönheitslinie" (The metaphysical line of beauty), which belongs thematically to this group of texts, was published in 1793 in the anthology Die große Loge (The great lodge: contained in voiume 6 of the critical edition from 2013). Several shorter texts related to the range of topics covered in volume 3 will appear in volume 13. which documents Moritz's activities as a member of the Berlin academies.The series of writings collected in volume 3 begins in 1785. Most of them, however, were written during and after Moritz’s trip to Italy (1786-1788). They present the author in a new role: known previously for his writings on topics that included pedagogy, linguistics, and psychology, and for his Reisen eines Deutschen in England {Travels, Chiefly on Foot, through Several Parts of England) and his autobiographical novel, Anton Reiser, Moritz appears here as a theoretician of classicism. Writing from this position, Moritz grapples with the traumas that marked his own biography, with questions posed by rationalist philosophy, and with an art and literary scene in this midst of transformation. He also responds to contemporaneous developments in the natural sciences. From the perspective of cultural history, the volume presents Moritz at the center of Berlin’s burgeoning heyday at the turn of the eighteenth and nineteenth centuries, documenting a dose connection between Moritz’s publications on art and his activity as professor for the theory of fine arts at the Berlin Academy of Arts from 1789.The essays and independent writings that will be published in this volume have already been shaped by a history of editions. This edition offers a critical apparatus that establishes the edited texts while tracing connections to other prints

批判卡尔·菲利普·莫里茨版的第三卷包含莫里茨关于艺术和文学的理论著作，其中包括他对美学理论的开创性贡献，其中阐述了艺术作品的自我指涉理念并阐明了其后果，即《Versuch einer》。 Vereinigung aller 一篇将所有艺术和科学纳入以下范围的文章Ueber die bildende Nachahmung des Schönen（论对美的形成性模仿）；In wie fern Kunstwerke beschrieben werden können（艺术作品可以在多大程度上被描述）；此外，该卷还收录了一些关于艺术和文学的短文。 ，其中大部分最初发表在期刊和其他独立出版物上： Versuch einer deutschen Prosodie（一篇关于德国韵律的文章，由 Lars Korten 编辑）：一篇针对 Joachim Heinrich Campe 的关于作者和出版商之间关系的辩论论文：Vorbegriffe zu einer Theorie der Ornamente（关于装饰理论的初步思考）：以及Vorlesungen über den Styl（风格讲座）。 Schönheitslinie”（美的形而上学路线）在主题上属于这组文本，发表于 1793 年的选集 Die große Loge（伟大的小屋：包含在 2013 年批评版的第 6 卷中）。一些较短的文本相关第 3 卷涵盖的主题范围将出现在第 13 卷中。该卷记录了莫里茨作为柏林科学院成员的活动。该系列第 3 卷中收集的著作始于 1785 年。然而，其中大多数是莫里茨意大利之旅期间和之后写的（1786-1788 年）。它们使作者扮演了一个新的角色：以前因他的著作而闻名，主题包括教育学、语言学、心理学，以及他的《Reisen eines Deutschen in England》（《旅行，主要是步行，穿过英格兰的几个地区》）和他的自传体小说 Anton Reiser，莫里茨在这里以古典主义理论家的身份出现，莫里茨在写作中努力应对他自己的传记中的创伤、理性主义哲学提出的问题，以及在这个转型过程中的艺术和文学场景。该书从文化史的角度呈现了莫里茨处于十八世纪和十九世纪之交柏林蓬勃发展的全盛时期的中心，记录了自然科学的发展。莫里茨的艺术出版物以及他自 1789 年起在柏林艺术学院担任美术理论教授的活动。本书中将出版的论文和独立著作已经由版本历史形成。建立编辑文本同时追踪与其他印刷品的连接的关键装置