Collation of The Peony Pavilion

《牡丹亭》整理

• 批准号: 16520211
• 负责人: NEGAYAMA Tohru
• 金额: $ 1.28万
• 依托单位: Yamaguchi University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2004
• 资助国家: 日本
• 起止时间: 2004 至 2006
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-16520211/
• 关键词: a history of modern Chinese drama; The Peony Pavilion; Tang Hsien-tsu; collation; Ming version; Ch`ing version; musical notes; 中国近世演劇史; 牡丹亭還魂記

Having Collated the printed books of 20 types of The Peony Pavilion published in the Ming-Ch`ing periods, I have come to the following conclusion.1. The first group of The Peony Pavilion (Shih-lin-chu-shih k`e-pen 石林居士刻本・Chu-yuan-chen chiao-k`e-pen 朱元鎮校刻本) published in the Ming period is a block printed edition which retains most faithfully the original form.2. Later in time, the second group (Wen-lin-ke k`e-pen 文林閣刻本・Chu-mo t`ao-yin-pen 朱墨套印本), a revised version based on "Nan-ch`u ch`uan-p`u 南曲全譜" by Shen Jing 沈〓 was used as another type of edition.3. The second group, however, goes no further than being partly followed in the collateral third group (Tz`u-t`an shuang-yen pen 詞壇双艶本・P`u-shui-chai chiao-k`e-pen 蒲水斎校刻本) during the period of T`iench`i 天啓-Ch`ungchen 崇禎.4. Finally, the fourth group, a revised and enlarged edition (Liu-lang-kuan k`e-pen 柳浪館刻本・Ch`ing-hui-ke p`rtien-pen 清暉閣批点本・An-ya-t`ang k`e-pen 安雅堂刻本・Tu-shen-chu tien-ting-pen 独深居点定本・Chi-ku-ke k`e-pen 汲古閣刻本・Chang Hung-i Chu-t`an k`e-pen 張弘毅著壇刻本・Chu-lin-t`ang chi-k`e-pen 竹林堂輯刻本), was completed. This edition basically depends on the first group, while partially adopting the second and the third group. The fourth group intends to return to the original text written by T`ang Hsien-tsu 湯顕祖, the second and the third groups having been screened in the process of the times.5. The main current of using the fourth group as a standard edition is also confirmed by the fact that the fifth group (San-fu he-p`ing-pen 三婦合評本・Chieh-tzu-yuan k`e-pen 芥子園刻本・Ts`ai-tzu Mu-tan t`ing 才子牡丹亭・Ping-ssu-kuan k`e-pen 米糸館刻本), prevailed in the Ch`ing period, is based on the fourth group. The musical notes of the fifth group (Ke-cheng tzu-tiao-pen 格正詞調本・Yin-hsiang-t`ang ch`u-p`u-pen 吟香堂曲譜本・Na-shu-ying ch`uan-p`u-pen 納書楹全譜本) are also based on the fourth group.

笔者对明清时期出版的20种《牡丹亭》印刷书籍进行了整理，得出以下结论：1．明代出版的笔士林居士刻本・朱元臣乔克笔朱元臣派刻本）是最忠实保留原作的刻本后来，第二组（文林客笔刻书、出墨涛印笔书墨印笔），是根据沉静し〓的《南曲全谱南曲全谱》被用作另一种版本。 3. 然而，第二组仅部分遵循并列第三组。 T`iench`i Tenkei-Ch` ungchen Chongchen 时期的组（Tz`u-t`an 双颜笔 idian soyanbon・P`u-shui-chai chiao-k`e-pen Kamsuisai 学校刻书）。4最后是第四组，修订扩大版（六郎宽k`e笔。六郎坎刻版、清晖阁刻本清晖阁刻版、安雅堂刻本安雅当刻版、土神柱天庭笔德昌弘一朱丹克本这个版本基本上依赖第一组，同时部分采用第二组和第三组。第四组打算回归唐贤祖ゆゅんぎょう的原文，第二组和第三组有。 5．以第四组为标准版的主流第五组（《三福和平本》、《接子圆客本》、《芥子书》、《柴子木炭》、《斋子植物亭》）也证实了这一点。・平四管笔（米内图馆刻本），盛行于清代，以第四组第五音符为基础。组（科城子条笔格正语本・引香堂出笔本银鼓堂乐书・那树英传笔笔送货单（冉全福书）也是以第四组为基础。