Studies on the Historical Contexts of "The End of Art" and its Significance at the Present Day

“艺术终结”的历史语境及其当代意义研究

基本信息

批准号：
16202001
负责人：
KURIHARA Takashi
金额：
$ 18.89万
依托单位：
Niigata University (2005)Tottori University of Environmental Studies (2004)
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (A)
财政年份：
2004
资助国家：
日本
起止时间：
2004 至 2005
项目状态：
已结题

项目摘要

We held three study conferences, i)in Yamagata on August 21/22, 2004, ii)in Niigata on November 20/21, 2004, iii)also in Niigata on August 6/7, 2005 (last two were held as public conferences). They helped the investigators to have common understandings of our themes. Concerning study trips, Hisatake Kato and five investigators studied in New York from February 28 to March 7, 2005 ; Zakota, Kurihara and Kido under Pr.Klaus Dusing at Koln University from July 2 to 10, 2005 ; Kato and six investigators in Germany and Italy from August 27 to September 5, 2005. Jun Yamasaki had several meetings with Pr.Walter Jaeschke who came to Japan in October 2005. Pr.Jaeschke gave us some interesting suggestions and wrote a new article on the End of Art in our report.Takashi Kurihara studied contexts of the themes of the End of Art from the hermeneutical point of view, arguing that, in order to establish the philosophy of art that discussed art, art as its object already had to come to an end. He trans … More lated hermeneutical works of Friedrich Ast into Japanese. Hisatake Kato revealed an archetype of Hegel's Aesthetics, arguing that "the Absolute" of Hegel had been influenced by Spinoza's view of substance, and art was one of the spiritual forms of self-recognition of the Absolute. He also revealed that the Hegelian philosophy of history could not accept the authorization of the past. Yutaka Zakota studied under Pr.Klaus Dusing, a leading Hegelian scholar, and translated an unknown notebook of a student who attended Hegel's Lectures on Aesthetics (1820/21) into Japanese. Seishi Isaka brought notice to the principles of "the darkness" and "the bad" on the paintings of C.D.Friedrich, painter of German Romanticism, and argued that art had to end before philosophy when the roll of painting was to express ideas or emotions. Atsushi Kido studied the Analytic of the Sublime in Kant's Critique of the Power of Judgment and discussed the difference and identity between the Kantian critical sublime and the metaphysical sublime of German Idealism. Kouichi Morimoto examined the present-day significance of the End of Art or its Anti-End, arguing that the thesis of the End of Art means for us that the "discourses" which have supported the idea of art come to end. Less

我们举行了三个研究会议，i）2004年8月21日，在Yamagata，ii）在2004年11月20日在Niigata举行了公共会议。 2005年2月28日至3月7日；日本于2005年10月。Jaeschke给了我们一些国际建议，并在艺术结束时撰写了文章对象已经必须。 Zakota的历史哲学可能会使Zakota统治着Hegelian领先的学者Pr.Klaus Dusing，并将Ann Unknown Notebook翻译成美学上的Hegles（1820/21）。关于德国浪漫主义画家C.D.Friedrich的绘画，并认为艺术必须在哲学之前结束，然后绘画的幅度是为了表达思想或情感。康德批判崇高的差异和身份与德国理想主义的形而上学崇高。