Research on Physical Aspects of Artistic Objects ＆ Cultural Properties for Methodological Integrations of Art History ＆ Scientific Analysis

艺术史与科学分析方法论整合的艺术品和文化财产的物理方面研究

• 批准号: 15202004
• 负责人: NISHINO Yoshiaki
• 金额: $ 28.29万
• 依托单位: The University of Tokyo
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (A)
• 财政年份: 2003
• 资助国家: 日本
• 起止时间: 2003 至 2006
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-15202004/
• 关键词: Cultural Properties Science; Datation; Art History; C-14; Physical Science; フランス; 文化コミュニケーション省; 日仏協力

78 samples of wood, fiber, etc. were dated by the AMS method. Elemental analyses were done for 37 samples of pigment, gold foil, etc. and data for 20 standard color and gold foil were compiled. Simple method to identify the pigment on the painting was investigated using a chromaticity meter. Images are observed microscopically on the sampling point and saved on HDD by a digital microscope. The images were used for analysis of the surface and layer structure. Similarly, fine images are collected for 84 samples of old cotton paper, and 252 images were compiled in the image database. The replica method was applied to "Triptyque du Buisson ardent" and it has become apparent that a curved double-edged cutter was used for forming of wooden surface. Infrared photograph by digital camera was introduced to the altar piece and the images clarified the presence of sketch under surface and the fact of alternation of composition.The main frame was made by Aulne wood cut down 5-10 years before and the canopy was made by old wood cut down a hundred years ago. The ground was lime and blue pigment was German Blue and red was two types of vermillion and lead and genuine gold was used. The restoration on 1852 reinforced the main panels, changed the style of the frame, painted false gold, washed the surface and retouched and repaired the canopy widely.

78种木材，纤维等样品通过AMS方法进行了日期。对37个色素，金箔等样品进行了元素分析，并编译了20种标准颜色和金箔的数据。使用色度计研究了鉴定绘画上色素的简单方法。在采样点上观察到显微镜，并通过数字显微镜保存在HDD上。图像用于分析表面和层结构。类似地，收集了84个旧棉纸样品的精细图像，并在图像数据库中收集了252张图像。将复制品方法应用于“ Triptyque du Buisson Artent”，很明显，弯曲的双刃切割器被用于形成木质表面。将数码相机的红外照片引入了祭坛上，图像阐明了表面下的草图和作品交替的事实。主框架是通过5-10年前切割的Aulne Wood制造的，冠层由一百年前砍伐的旧木材。地面是石灰，蓝色颜料为德国蓝色，红色是两种类型的朱红色，并使用了铅和真正的黄金。 1852年的恢复加强了主面板，改变了框架的样式，涂有假金，洗净了表面，修饰并修复了冠层。

项目成果

^<14>C年代測定の新展開-加速器質量分析(AMS)が開いた地平-

^<14>C测年的新进展 - 加速器质谱（AMS）打开视野 -

• 发表时间: 2005
• 期刊: RADIOISOTOPES 54
• 作者: 内田和宏;西野隆典;伊藤克亘;武田一哉;板倉文忠;小檜山ルイ;長岡 龍作;吉田 邦夫
• 通讯作者: 吉田 邦夫

K.Yoshida, J.Ohmichi, M.Kinose H.Iijima, A.Oono, N.Abe, Y.Miyazaki, H.Matsuzaki: "The Application of ^<14>C dating to potsherds of Jomon period"Nucl.Instr.and Meth.B. (in press). (2004)

K.Yoshida、J.Ohmichi、M.Kinose H.Iijima、A.Oono、N.Abe、Y.Miyazaki、H.Matsuzaki：“^<14>C 年代测定法在绳文时代陶片中的应用”Nucl.Instr

北海道東部における土器付着炭化物の炭素14年代測定

北海道东部陶器上木炭沉积物的碳 14 测年

• 发表时间: 2006
• 期刊: 國學院大學21石器COEプログラム2006年度考古学調査研究報告
• 作者: 國木田 大;吉田 邦夫;中野 拓大
• 通讯作者: 中野 拓大

Project supports/surfaces : Researchs on Physical Aspects of Artistic Objects ＆ Cultural Properties for Methodological Integrations of Art History ＆ Scientific Analysis

项目支持/表面：艺术史和科学分析方法论整合的艺术品和文化财产的物理方面的研究

• 发表时间: 2007
• 作者: KOMATSU Hisao;GOTO Yutaka;加藤 泰史;Y.Nishino
• 通讯作者: Y.Nishino

日吉ヶ丘遺跡出土の穿孔途中の管玉と玉錘

日吉丘遗址出土的钻孔中间的管球和球轴

• 发表时间: 2005
• 期刊: 『加悦町文化財調査報告第33集』日吉ヶ丘遺跡
• 作者: 藤村浩司;伊藤克亘;武田一哉;板倉文忠;吉田 邦夫
• 通讯作者: 吉田 邦夫