Die Wandreliefs des Zweiten Lichthofs im Grab des Monthemhat (TT 34). Versuch einer zeichnerischen Rekonstruktion.

Monthemhat 墓第二中庭的墙壁浮雕（TT 34）。

• 批准号: 233269434
• 负责人: Professorin Dr. Ingrid Gamer-Wallert
• 金额: --
• 依托单位: Abteilung für Ägyptologie
• 依托单位国家: 德国
• 项目类别: Publication Grants
• 财政年份: 2012
• 资助国家: 德国
• 起止时间: 2011-12-31 至 2013-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/233269434?language=en
• 关键词: Die; Wandreliefs; des; Zweiten; Lichthofs

Monthemhat, "eye and ear of his Majesty" in the decades of transition from the 25th to the 26th dynasty, was able, as he assures us, to select the best of the palace workmen for himself. The decoration of his funeral monument (TT 34), extending over three levels in the Asasif of Thebes, was accordingly of the highest quality. This applies especially to the so-called Second Courtyard. Its walls, 12 m long and 16 m wide, were covered with scenes of 'daily life and the surroundings of the tomb owner and his family, depicted in elevated and richly painted relief. Today only 20 % of this splendour is conserved in situ, with hundreds of tiny broken fragments lying on the ground, others scattered all over the tomb; many fragments were robbed and sold abroad. This volume is the first attempt to reconstruct the design of this wall decoration. The archaistic tendency in the art of this period, orienting itself by comparable contents of Old Kingdom tombs^ helped us here, as did also the possibilities of comparison with the nearby tomb of Ibi (TT 36). Before our eyes there arises a vivid panorama of Monthemhat's wealth, the product of his domestics, who are working industriously in garden and field, beside the water or in the pasture. We observe the return of the heavily loaded ships coming from the South, the activities of gold-smiths, sculptors, ship-builders, carriage-builders, and the production of sandals, cahopic jars and ushebtis in the workshops of the tomb-owner. We observe the work of the vintagers, peasants, fisher- and herdsmen. And finally, we participate in Monthemhat's recreational activities, such as board games, music and dance, also in the hunting of bird and fish by the throw-stick or the spear in the animated papyrus-marshes.

在从25世纪到26个王朝的几十年中，Monthemhat是“ je下的眼睛和耳朵”，正如他向我们保证的那样，能够为自己选择最好的宫殿工人。因此，他的葬礼纪念碑（TT 34）的装饰在底比斯的Asasif中延伸了三个层次，因此是最高质量的。这特别适用于所谓的第二庭。它的墙壁长12 m，宽16 m，上面覆盖着“日常生活和墓主及其家人的周围环境，用高架且富有涂漆的浮雕描绘。如今，只有20％的辉煌是原地保存的，数百个小破碎的碎片躺在地上，其他碎片散布在整个坟墓上。许多碎片被抢劫并出售在国外。该卷是重建该墙装饰设计的首次尝试。这一时期艺术中的古学趋势，通过旧王国墓的可比内容来取代我们在这里，这也是如此，与附近的Ibi墓（TT 36）进行了比较的可能性。在我们眼前，出现了一个生动的全景，即Monthemhat的财富，他的国内产品的产物，他们在花园和田野，水或牧场旁边勤奋地工作。我们观察到来自南部的大量船只的返回，金匠，雕塑家，造船商，马车建造者以及凉鞋，凉鞋，cahopic jars and ushebtis的生产。我们观察了老式，农民，费舍尔和牧民的工作。最后，我们参加了Monthemhat的娱乐活动，例如棋盘游戏，音乐和舞蹈，也参加了动画纸莎草（Papyrus-Marshes）的扔鸟和鱼的狩猎或长矛。