3D CRAFT: Digitally recrafting lost interiors in Britain and Ireland

3D CRAFT：以数字方式重建英国和爱尔兰丢失的内饰

• 批准号: AH/V002333/1
• 负责人: Sophie Chessum
• 金额: $ 3.06万
• 依托单位: National Trust
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2020
• 资助国家: 英国
• 起止时间: 2020 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FV002333%2F1
• 关键词: 3D; CRAFT; Digitally; recrafting; lost; 3D; CRAFT; Digitally; recrafting; lost

3D CRAFT brings together leading heritage, conservation and research institutions in Britain and Ireland to discuss new ways of recreating and experiencing lost historic interiors. The fire at Clandon Park in 2015 destroyed one of the finest works of surface ornament of early 18th century Britain and Ireland, it has also exposed the underlying framework, allowing new insights into construction and craft processes. Using Clandon as a case-study of the problems facing heritage professionals across Britain and Ireland, this network will foster a collaborative cross-border interdisciplinary discussion around the digital processes that can capture and communicate multi-layered building fabrics in all their complexity, including virtual and augmented reality.National Trust is the largest conservation charity in Europe with expertise in the conservation of highly significant historic buildings and landscapes. The salvage of Clandon has demonstrated this expertise and has created opportunities to pioneer new technologies. NT has a strong track record of engaging in digital technologies and has collaborated with organisations like Google to test how VR, AR and MR can widen access.Craft Value (a four-year Irish Research Council funded project in the Department of Art History and Architecture, Trinity College Dublin) is exploring archives of buildings in Britain and Ireland that reveal contemporary building practices, including the types, numbers, skill levels, and origins of craftsmen involved, the techniques they employed, the types of materials they used and how they were sourced.The challenge of lost 18th century interiors is familiar to the Office of Public Works who have responsibility for historic buildings with lost or damaged interiors, such as the Four Courts in Dublin. New and developing technologies, from 3D Visualisation, Photogrammetry and Augmented Reality, combined with art historical methodologies offer opportunities to virtually reconstruct this lost heritage and present it to a wider audience using sustainable digital platforms. The network also includes experts in Computer Science, Electrical Engineering, and Digital Humanities from University College London, King's College London, the University of Surrey, and Trinity College Dublin, who are at the cutting edge of digital visualisation.The proposal aims for new levels of authenticity in the digital recrafting of lost and damaged interiors by retrieving greater amounts of data from photographs, film, and architectural fragments. The project will harness contemporary digital craft skills to elucidate the creative craft skills of the past, allowing them to speak to each other in a new virtual environment.Public engagement is a core objective. The digital reconstruction of this material will facilitate new ways to enhance visitor experience at historic properties; revealing lost architecture. New technologies have the potential to allow visitors to revisit the past, to inspect architectural fragments of lost buildings in their original context and to understand the fascinating processes behind the construction of historic interiors. The craftsmen responsible for these richly ornamented historic interiors remain largely unknown to the public. This project aims to cast new light on their achievements. There is public appetite for understanding how things were made in the past, reflected in visitor numbers to heritage sites across Britain and Ireland. Digital media have the potential to highlight craft techniques that normally remain hidden under the surface, allowing them to step forward in the historic narrative.In addition, there is scope to provide greater access to historic properties which are inaccessible to the public due to their continuing use for other purposes, for example, many prominent 18th century buildings are working government offices where visitors cannot be accommodated. Immersive 3D technologies can open such buildings up to all.

3D Craft汇集了英国和爱尔兰的领先遗产，保护和研究机构，讨论了新的重现和体验失去历史性内部的方式。 2015年，克兰登公园（Clandon Park）的大火摧毁了18世纪早期英国和爱尔兰的表面装饰品上最好的作品之一，它也暴露了基础框架，从而允许对建筑和工艺工艺进行新的见解。该网络将Clandon作为遗产专业人士面临的问题的案例研究，将促进围绕数字过程的协作跨境跨学科讨论，可​​以捕获和交流各种复杂性的多层建筑织物，包括虚拟和增强的现实，包括欧洲的最大保护企业，是欧洲最大的保护范围，具有很大的范围。克兰登（Clandon）的抢救已经证明了这一专业知识，并为开拓新技术的机会创造了机会。 NT has a strong track record of engaging in digital technologies and has collaborated with organisations like Google to test how VR, AR and MR can widen access.Craft Value (a four-year Irish Research Council funded project in the Department of Art History and Architecture, Trinity College Dublin) is exploring archives of buildings in Britain and Ireland that reveal contemporary building practices, including the types, numbers, skill levels, and origins of craftsmen involved, the techniques they受雇于使用的材料类型以及如何采购。丢失的18世纪内饰的挑战是公共工程办公室熟悉的，这些办公室负责损失或受损的室内装饰的历史建筑，例如都柏林的四个法院。从3D可视化，摄影测量和增强现实的新技术与艺术历史方法相结合，实际上可以重建这种丢失的遗产，并使用可持续的数字平台向更广泛的受众介绍它。该网络还包括来自伦敦大学学院的计算机科学，电气工程和数字人文科学专家，伦敦国王学院，萨里大学和都柏林三一学院都处于数字可视化的尖端。该建议旨在通过将丢失和损坏的间歇性的数字收回和损坏的数字化的真实性通过拍摄的数字化和损坏的数字化，从而通过拍摄图片，图片，架构型，架构，架构，架构，架构，构造，架构，架构，架构，架构，架构，架构，造型。该项目将利用当代的数字工艺技能来阐明过去的创造工艺技能，使他们能够在新的虚拟环境中互相交谈。公共参与是一个核心目标。该材料的数字重建将有助于提高历史属性的游客体验的新方法；揭示失去的建筑。新技术有可能使游客重新审视过去，在原始背景下检查失去建筑物的建筑碎片，并了解历史悠久的室内装饰的建造背后的迷人过程。负责这些装饰丰富的历史室内装饰的工匠仍然在很大程度上是公众所不知道的。该项目旨在对其成就进行新的启示。有公众对过去如何制作的食欲，反映在访客人数到英国和爱尔兰的遗产。数字媒体有可能突出通常隐藏在表面下方的工艺技术，从而使它们能够在历史叙事中前进。此外，还有空间可以为公众提供更多的历史属性，因为它们继续用于其他目的，因此，许多著名的18世纪建筑物是许多著名的建筑物都无法容纳的政府办公室。沉浸式3D技术可以为所有人开放此类建筑物。