A Study of Pluralistic Relations Between Representation in Film, Print Culture, and Literature in Modern Japan

现代日本电影、印刷文化和文学表现之间的多元关系研究

• 批准号: 14510457
• 负责人: NAKAYAMA Akihiko
• 金额: $ 2.56万
• 依托单位: HOKKAIDO UNIVERSITY
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2002
• 资助国家: 日本
• 起止时间: 2002 至 2003
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-14510457/
• 关键词: Representation in film; Print Media and Literary Representation; Media Mix; Popular Culture; メディア

During this research an investigation was carried out on the pluralistic relationship between the following three spheres.1.The historical transfiguration of the relationship between novels written from the Taisho period thru the Showa period and their respective illustrations becomes evident through an examination of the response toward the genre reformation process in the novels, bookmaking style, and censorship.2.The relationship between lines and images as seen in movies from the late Meiji period thru the Showa period is clarified according to the reaction toward the differences between silent and talkie films, the mutual effects of screenplays and literary works, and censorship.3.In order to demonstrate the differences between audio-visual representation and literary representation a theoretical analysis on film cinema was conducted. Notably, a re-evaluation of theories related to structuralism and semiotics was carried out along with the re-construction of theories related to po … More st modernism to illuminate the possibility for adaptation in film historyThe research conducted clarifies the following three points through a pluralistic investigation of the relationship between audio-visual representation, print culture, and literature.A.As a result of the excessive response to censorship by literary works belonging to the genre of belle-lettres, illustrations were largely abandoned and written descriptions of characters and scenes became the primary aim of writers. On the other hand, the popular novel made great use of the developing printing press and it became evident that novels focusing on dialogue were gradually gaining a position of relative importance in the sequence of historical events.B.In the beginning, belle-lettres authors held the position of cinema screenplay writers, but gradually this position was replaced by popular literature authors. This phenomenon is closely related to the fact that the popular novel was refining the technique of dialogue centrality. It can also be said that undaunted omissions of time and space during scene changes in film were techniques handed down from the popular novel.C.For films that adopted such techniques inherent to the popular novel, these techniques became even further polished, and as is apparent in the works of Ozu Yasujiro, a abridged-type films was on its way to being born. Nonetheless, this was not a uniquely Japanese phenomenon. That is to say, from a theoretical standpoint it becomes clear that it was an incident able to greatly alter the representation of time and space in film. Less

在本研究中，我们对以下三个领域之间的多元关系进行了调查。 1.通过考察人们对大正时代到昭和时代的小说与各自插图之间的关系的历史变迁，这一点变得显而易见。 2.从明治末期到昭和时代的电影中，根据对无声和无声之间差异的反应，阐明了台词和图像之间的关系。有声电影、剧本和文学作品的相互影响以及审查制度。3.为了论证视听再现和文学再现之间的差异，对电影进行了理论分析。值得注意的是，对与电影相关的理论进行了重新评估。结构主义和符号学与后现代主义相关理论的重建一起进行，以阐明电影史改编的可能性本研究通过对视听再现之间关系的多元考察，澄清了以下三点：打印A.由于纯文学类型的文学作品对审查制度的反应，插图基本上被放弃，对人物和场景的书面描述成为过度作家的主要目标。流行小说充分利用了不断发展的印刷术，并且很明显，以对话为中心的小说在历史事件的序列中逐渐获得了相对重要的地位。电影剧本作家，但逐渐这这种现象与通俗小说对对话中心性技巧的提炼密切相关，也可以说是电影技巧中对场景变换的毫不畏惧的时间和空间的省略。 C.对于采用了流行小说固有的这种技巧的电影来说，这些技巧得到了进一步的完善，正如小津安二郎的作品中所显而易见的那样，精简型电影即将诞生，这不是一个也就是说，从理论上来说，这是一个能够极大地改变电影中时间和空间表现的事件。

项目成果

投機としての文学-活字・懸賞・メディア

作为投机的文学——印刷品、抽奖活动和媒体

• 发表时间: 2003
• 作者: 紅野 謙介

城殿 智行: "蝶の採集"ユリイカ. 35巻17号. 111-123 (2003)

Shirodono Tomoyuki：《蝴蝶集》尤里卡，第 35 卷，第 17 期。111-123 (2003)

中山昭彦: "隠すことの顕れ-裸体画論争と文学"国文学 解釈と教材の研究. 47巻9号. 16-20 (2002)

中山明彦：《隐藏的启示——裸体画争议与文学》日本文学解读与研究资料第47卷第9期16-20（2002年）

"美術"と裸体画をめぐる係争

“艺术”与裸体画之争

• 发表时间: 2003
• 作者: 中山 昭彦

生きるべきか死ぬべきか-ゴダール

我应该活还是死？——戈达尔

• 发表时间: 2003
• 作者: 城殿 智行