A) Theatrum mundi - mundus theatri.Constitutive Conditions of the Drama around 1700 B) "Weltanschauung" and Text Production.Forming - Narratives - Distribution

A) Theatrum mundi - mundus theatri. 1700 年左右戏剧的构成条件 B) “Weltanschauung” 和文本制作. 形成 - 叙事 - 发行

• 批准号: 392948579
• 负责人: Privatdozent Dr. Christian Meierhofer
• 金额: --
• 依托单位: Abteilung Neuere deutsche Literaturwissenschaft
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2018
• 资助国家: 德国
• 起止时间: 2017-12-31 至 2022-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/392948579?language=en
• 关键词: Theatrum; mundi; mundus; theatri.Constitutive; Conditions

A) The project deals with the drama between Baroque and early Enlightenment, which is a neglected genre, and asks for the constitutive conditions of form and historical discourse around 1700. The drama is quite suitable for such a study because it leads - in its genre-related development beginning with Gryphius's and Lohenstein's martyr drama and ending with Gottsched's textual example for issues of the Enlightenment - from a Christological, salvific and end time history perspective to a still undetermined setting of literary functions and conditions. Here, a new organisation of drama and theatre culture takes place and, accordingly, has to recode its "contemporariness". Therefore and from a viewpoint of media and knowledge history, the amount of the recently acquired Theatrum-Literature comes into focus. It has a significant influence on the cultural practice of enactment strategies and on the textual effects of presence. Not least, all these aspects serve to problematize that descriptive pattern of literary and époque history that often and still classifies the period around 1700 as an alleged phase of degeneration and crisis. For this purpose, the project considers especially those texts which yet have been rarely explored or not at all.B) The project is concerned with the historical formations of the discourse of Weltanschauung and its occurrence within literary and journalistic text production, which significantly determines the process of modernity in its self-reflexions. The project aims at the specific textual formation and conventions of representation, at the comprehensive narratives of cultural-historical influence as well as the particular processes of distribution and the modalities of public treatment. The projected conference is designed as an international and interdisciplinary forum, which concentrates the relevant perspectives from science, book, media and press history and puts them in a complementary relation with the analytical expertise of literary studies.

A）该项目涉及巴洛克时期和早期启蒙运动之间的戏剧，这是一种被忽视的类型，并询问1700年左右的形式和历史话语的构成条件。该戏剧非常适合这样的研究，因为它在其类型中处于领先地位-相关的发展从格里菲斯和洛恩斯坦的殉道者戏剧开始，到戈特切德关于启蒙运动问题的文本示例结束——从基督论、救赎和末世历史的角度来看在这里，戏剧和戏剧文化发生了一种新的组织，因此必须重新编码其“当代性”，因此，从媒体和知识史的角度来看，戏剧和戏剧文化的数量。最近获得的戏剧文学成为人们关注的焦点，它对表演策略的文化实践和存在的文本效果产生了重大影响，所有这些方面都对文学和时代历史的描述模式提出了问题。经常并且仍然​​将 1700 年左右的时期归类为所谓的退化和危机阶段。为此，该项目特别考虑了那些很少被探索或根本没有探索过的文本。B) 该项目关注的是历史的形成。世界观的话语及其在文学和新闻文本生产中的出现，在很大程度上决定了现代性的自我反思过程，该项目旨在特定的文本形成和表征惯例，以及全面的叙事。预计的会议被设计为一个国际性的跨学科论坛，集中了科学、书籍、媒体和新闻史的相关观点，并将其置于一个统一的视角。与文学研究的分析专业知识的互补关系。