Source Repository of the Bach sons.Documentation and digitization of the primary sources (autograph scores and original performance parts) of the works of Wilhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich and Johann Christian Bach and i

巴赫儿子的源存储库。威廉·弗里德曼、卡尔·菲利普·伊曼纽尔、约翰·克里斯托夫·弗里德里希和约翰·克里斯蒂安·巴赫的作品的主要来源（亲笔签名和原始演奏部分）的文档和数字化

• 批准号: 325007971
• 负责人: Professor Dr. Achim Bonte, since 8/2018
• 金额: --
• 依托单位: Sächsische Landesbibliothek - Staats- und Universitätsbibliothek
• 依托单位国家: 德国
• 项目类别: Cataloguing and Digitisation (Scientific Library Services and Information Systems)
• 财政年份: 2017
• 资助国家: 德国
• 起止时间: 2016-12-31 至 2020-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/325007971?language=en
• 关键词: Source; Repository; Bach; sons.Documentation; digitization

The project covered by this new application comprises the digitization of autograph sources and original performance parts of the musical works composed by Johann Sebastian Bachs composer sons: Wilhelm Friedemann (1710-84), Carl Philipp Emanuel (1714-88), Johann Christoph Friedrich (1732-95) and Johann Christian Bach (1735-82). These manuscripts are preserved in collections owned by the main German libraries regarding these composers: Staatsbibliothek zu Berlin Preußischer Kulturbesitz (including the musical archive of the Sing-Akademie zu Berlin), Bach-Archiv Leipzig, and Staats- und Universitätsbibliothek Hamburg. The digital copies will be integrated into a suitable and well-established platform, hitherto mainly used to present the works of J.S. Bach: the database Bach digital (http://www.bachdigital.de/), built up with support from the DFG between 2008 and 2016. For the first time, a significant repository of musical sources will be made available which contains a cross-section of German music history from the second third of the 18th century (i.e. before the start of the First Viennese School). Although the sons of Bach were strongly influenced by their father, they were also in direct - and in some cases even personal - contact with Mozart and Haydn, and played prominent roles in the development of musical styles up to Beethoven. Their works thus rank among the most important documents of the era bridging between the Baroque and Classical periods (often referred to with terms such as Sturm und Drang, sentimental, and pre-classical); to make these sources generally accessible will be a major contribution for a proper understanding of this era. This project would make available: free of charge to scholars, musicians and editors a major portion of the primary sources of the works of the Bach sons. In addition to the digitization of the musical sources, images of the watermarks found in the papers will also be made available in electronic form; these images will be indexed and catalogued for subsequent retrieval in national watermark databases (via WZIS - the Watermark Information System). The new project also includes the following technical modifications and further developments: The integration of authority records from the GND Integrated Authority File in order to optimize searchability and further increase the networked use of metadata, new classifications of the compositions by the sons of Bach and their sources, the development of new modules and tools in order to expand a database focused on J.S. Bach to include compositions by other composers in the Bach family and their sources, improving the networking and scientific reusability of images and metadata from Bach digital in line with current standards in the digital humanities.

约翰·塞巴斯蒂安·巴赫斯（Johann Sebastian Bachs）作曲家儿子（Johann Sebastian Bachs Composer Sons：Wilhelm Friedemann（1710-84），卡尔·菲利普·伊曼纽尔（Carl Philipp Emanuel）（1714-88），由约翰·塞巴斯蒂安·巴赫斯（Johann Sebastian Bachs Composer Sons）涵盖的新签名来源和音乐wompose D的原始表演部分涵盖了该项目。克里斯蒂安·巴赫（Christian Bach）（1735-82）。迄今主要用于J.S. - 从18世纪第二季度的德国音乐历史（即在巴赫之子开始之前，他们也受到直接案件的强烈影响，甚至是与莫扎特和海顿的个人联系，并在发展中发挥着重要作用，并在发展中发挥了重要作用贝多芬的音乐风格。这个时代。 （通过WZIS-水印信息系统）。 Bach的儿子及其URCES的开发，新的模块和工具的开发旨在扩大J.S.的数据库，以符合BACH数字的网络和科学可重复使用，并符合数字人类数字的当前标准。