Source Repository of the Bach sons.Documentation and digitization of the primary sources (autograph scores and original performance parts) of the works of Wilhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich and Johann Christian Bach and i

巴赫儿子的源存储库。威廉·弗里德曼、卡尔·菲利普·伊曼纽尔、约翰·克里斯托夫·弗里德里希和约翰·克里斯蒂安·巴赫的作品的主要来源（亲笔签名和原始演奏部分）的文档和数字化

• 批准号: 325007971
• 负责人: Professor Dr. Achim Bonte, since 8/2018
• 金额: --
• 依托单位: Sächsische Landesbibliothek - Staats- und Universitätsbibliothek
• 依托单位国家: 德国
• 项目类别: Cataloguing and Digitisation (Scientific Library Services and Information Systems)
• 财政年份: 2017
• 资助国家: 德国
• 起止时间: 2016-12-31 至 2020-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/325007971?language=en
• 关键词: Source; Repository; Bach; sons.Documentation; digitization

The project covered by this new application comprises the digitization of autograph sources and original performance parts of the musical works composed by Johann Sebastian Bachs composer sons: Wilhelm Friedemann (1710-84), Carl Philipp Emanuel (1714-88), Johann Christoph Friedrich (1732-95) and Johann Christian Bach (1735-82). These manuscripts are preserved in collections owned by the main German libraries regarding these composers: Staatsbibliothek zu Berlin Preußischer Kulturbesitz (including the musical archive of the Sing-Akademie zu Berlin), Bach-Archiv Leipzig, and Staats- und Universitätsbibliothek Hamburg. The digital copies will be integrated into a suitable and well-established platform, hitherto mainly used to present the works of J.S. Bach: the database Bach digital (http://www.bachdigital.de/), built up with support from the DFG between 2008 and 2016. For the first time, a significant repository of musical sources will be made available which contains a cross-section of German music history from the second third of the 18th century (i.e. before the start of the First Viennese School). Although the sons of Bach were strongly influenced by their father, they were also in direct - and in some cases even personal - contact with Mozart and Haydn, and played prominent roles in the development of musical styles up to Beethoven. Their works thus rank among the most important documents of the era bridging between the Baroque and Classical periods (often referred to with terms such as Sturm und Drang, sentimental, and pre-classical); to make these sources generally accessible will be a major contribution for a proper understanding of this era. This project would make available: free of charge to scholars, musicians and editors a major portion of the primary sources of the works of the Bach sons. In addition to the digitization of the musical sources, images of the watermarks found in the papers will also be made available in electronic form; these images will be indexed and catalogued for subsequent retrieval in national watermark databases (via WZIS - the Watermark Information System). The new project also includes the following technical modifications and further developments: The integration of authority records from the GND Integrated Authority File in order to optimize searchability and further increase the networked use of metadata, new classifications of the compositions by the sons of Bach and their sources, the development of new modules and tools in order to expand a database focused on J.S. Bach to include compositions by other composers in the Bach family and their sources, improving the networking and scientific reusability of images and metadata from Bach digital in line with current standards in the digital humanities.

该新应用程序所涵盖的项目包括由约翰·塞巴斯蒂安·巴赫斯（Johann Sebastian Bachs）作曲的签名来源和音乐作品的原始表演部分的数字化：威廉·弗里德曼（Wilhelm Friedemann）（1710-84），卡尔·菲利普·伊曼纽尔（Carl Philipp Emanuel），约翰·克里斯蒂安·弗里德里奇（Johann Christian Friedrich）（1714-88），约翰·克里斯蒂安·弗里德里奇（Johann Christian Friedrich）（1732-95-95）和约翰·约翰（Johann Christian Bach）（1735-255）。 These manuscripts are preserved in collections owned by the main German libraries Regarding these composers: Staatsbibliothek zu Berlin Preußischer Kulturbesitz (including the musical archive of the Sing-Akademie zu Berlin), Bach-Archiv Leipzig, and Staats- und Universitätsbibliothek Hamburg.数字副本将集成到合适且建立的良好平台中，该平台主要用于介绍J.S.的作品。巴赫：数据库巴赫数字（http://www.bachdigital.de/），在2008年至2016年之间的DFG支持下建立。这是第一次提供音乐源的重要库，其中将提供一个重要的音乐源，其中包含18世纪第二三世纪的德国音乐历史的横截面（即，在18世纪前三世纪（即，在第一届viennese of the of the of the of the First of the Firs the Seartere）的第二次VIENN ENSENE。尽管巴赫的儿子受到父亲的强烈影响，但他们也直接与莫扎特和海顿接触，并且在某些情况下甚至是个人的，并且在贝多芬的音乐风格的发展中起着重要的作用。因此，他们的作品是巴洛克式和古典时期之间桥接的时代最重要的文件之一（通常用Sturm und Drang，Temperiment和Prassical等术语提及）；使这些来源通常可以访问将是对这个时代正确理解的主要贡献。该项目将提供：向学者，音乐家和编辑免费免费提供，这是Bach Sons作品主要来源的重要部分。除了音乐资源的数字化外，论文中发现的水印图像也将以电子形式提供。这些图像将被索引和分类，以便在国家水印数据库中（通过WZIS-水印信息系统）进行索引。新项目还包括以下技术修改和进一步的发展：从GND集成授权文件中的权威记录集成，以优化搜索性并进一步增加元数据的网络使用，Bach的儿子及其来源的新组成分类，新模块和工具的开发，以扩展针对J.S. S. S. S. S. Spean to Database的数据库。巴赫（Bach）包括巴赫家族中其他作曲家及其资源中的其他作曲家的作品，以根据数字人类的当前标准来改善来自巴赫数字的图像和元数据的网络和科学可重复使用。