The Einheitslieder der deutschen Bistümer (1947) - from großdeutsch project to instrument of Integration after war and displacement

德国教区的团结之歌 (1947) - 从大德语项目到战后和流离失所后一体化的工具

基本信息

批准号：
310579691
负责人：
Professor Dr. Ansgar Franz
金额：
--
依托单位：
Abteilung Liturgiewissenschaft und Homiletik
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2016
资助国家：
德国
起止时间：
2015-12-31 至 2020-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/310579691?language=en
关键词：
Einheitslieder der deutschen Bist mer

项目摘要

When the “Einheitslieder der deutschen Bistümer” (E-hymns) were published as an authentic edition in 1947, it provided Germany's Catholics with a common standard canon of 74 hymns. This was a significant first step towards a common hymnal of the German Catholic dioceses. In 1975 it came to fruition in the standard hymnal “Gotteslob”. At the beginning of the 20th century, the German dioceses had hardly any shared tradition of hymns as the repertoire of songs, their lyrics and tunes differed enormously. This lack became especially problematic from the mid-1930s onwards due to significant internal migration (Reich Labor Service, NS industrialization projects, etc.) as well as the situation of war (field services of soldiers from different dioceses). Discussions surrounding the question of a corpus of E-hymns revealed different opinions: The “Jugendkreise” in the wake of the Liturgical Renewal campaigned for a renewal of congregational song whereas traditional voices opted for the well-known songs for “practical-pastoral reasons”. Others, however, demanded a “Reichsliederkanon” with a view to strengthening German national identity. Critics of such a supra-diocesan hymnal argued that regarding congregational hymns Catholic identity was of a highly regionalized nature and that therefore any attempts at standardizing would have a negative impact.From ca. 1940 onwards various suggestions were drafted. The German Bishops' Conference in Fulda took up the issue and commissioned the bishop of Trier to set up a corpus of E-hymns. He assigned this task to an expert commission, which was convened by the auxiliary bishop Metzroth, and included 3 delegates from annexed Austria. Already in 1943 this commission presented a list of hymns. In 1944 work on this project was interrupted by the war. The E-hymns were then definitively approved in 1947. They proved to be an important instrument to integrate the catholic expellees into their new dioceses.The project aims to a presentation of the genesis of the E-hymn corpus within an augmented source edition based on the comprehensive collection of the convener, auxiliary bishop Metzroth (diocesan archive of Trier) and material from further archives that reveals the pre-history as well as the positions of certain dioceses and commissioners. Furthermore, the edition considers contributions from contemporary magazines that will be listed in a comprehensive bibliography. The focus will then turn to the reception history and impact of the 1947 E-hymns on the “Gotteslob” of 1975 and 2013 (common part and diocesan appendices).

1947年，“ Einheitslieder DeutschenBistümer”（E-Hymns）作为真实版本，它提供了德国的天主教徒。在标准的赞美诗中取得了成果，这是第20中心YMN的开始，作为歌曲的曲目，他们的歌词和曲调差异很大。等等）以及战争的局势（来自不同主教的士兵的现场服务）。出于“实用性的原因”。德国主教在富尔达举行的会议委托Trier的主教成立了E-Hymns的语料库。在1944年，惠普在1947年是e-hymns。事实证明，将天主教的排出者整合到该项目中，这是基于辅助工具集合，辅助主教Metzroth档案某些教区和专员。